Eric Goode Explores Illicit Reptile Trade in Docuseries Monsters of God
Tiger King director Eric Goode concludes his five-part investigation into exotic reptile smuggling with the finale of Monsters of God.
By Danny Rios · September 4, 2026 · 1 min read
Published by Hollywood Tomorrow
Eric Goode, the documentarian behind the hit series Tiger King, has turned his lens toward the illicit reptile trade in the five-part documentary series Monsters of God, according to a report by Variety.
The docuseries investigates the clandestine networks driving wildlife trafficking across the globe. Across five episodes, the project examines the various players operating within the industry, tracing animals from underground dealers and private collectors to mainstream zoological institutions and law enforcement agencies.
The concluding chapter focuses on key figures orchestrating the black market trade alongside the federal agents tasked with dismantling the operations. Per Variety, the finale culminates in revelations regarding top-level smugglers and an alleged rogue special agent embedded within the investigation.
Goode previously gained widespread industry attention for exposing the eccentric and legally fraught world of big-cat breeding in Tiger King. With Monsters of God, the filmmaker shifts his investigative approach to cold-blooded wildlife, detailing how loose regulatory enforcement and high collector demand sustain a lucrative global market.
## Uncovering the Wildlife Black Market
Docuseries tackling specialized criminal subcultures continue to draw steady interest from networks and streaming platforms. While true crime typically centers on homicides and corporate fraud, wildlife trafficking narratives offer high-stakes legal drama paired with unusual, often bizarre subcultures that appeal to broad non-fiction audiences.
Monsters of God wraps its run by highlighting the institutional friction between wildlife enforcement bodies and the sophisticated smuggling rings operating across borders. The project underscores the continued commercial appetite for investigative exposés from high-profile non-fiction creators.
Reported from the originating source.
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